The hits and misses of the week.
A glimpse at celebrities present and designs displayed at the Beetle's Tech Fashion Fashion Tour 2016.
'End of an era! Kalaignar was such an essential part of the fabric of Chennai and Tamil Nadu. All of us who've lived there will feel an inexplicable loss.'
Why Shiromani Akali Dal MLA Manjinder S Sirsa is furious with the director and actor of Sacred Games 2.
'For a working actor in Bollywood, it is nearly impossible to criticise its reigning deities.' 'Besides, due care ought to be taken when speaking of the dead too.'
Nagarjuna hosts a star-studded reception for his son and daughter-in-law.
Horlicks widens brand appeal in increasingly competitive market.
'I changed because I wanted to excel myself at every point. It's important to look good and take care of yourself as there is so much competition. I have not done any surgery. My lips have always been like this. Today, my face is exactly how it was, when I was 16.' Shama Sikander up, close and personal.
Ekta nixes Tusshar from new film, and other Bollywood news
The film's mechanics and motivations are laughable, says Raja Sen.
A look at some of the most anticipated films of 2015.
'In the new Bollywood, where success can translate, like a chain reaction, into gains in related fields, mere appearance on the screen is no longer a guarantor of fame,' says Vikram Johri.
Khamoshiyan is totally consumed by its cheesy scares-sex-scares-sex pattern, says Sukanya Verma.
Aseem Chhabra's take on the highlights of Indian cinema this year.
Queen, directed by Vikas Bahl, has picked up an award for Best Hindi film as well.
'I looked at the smiles around and realised that each day that I smiled was amazing.' 'So I put into play something that I have been toying with for years.' 'I called it the Rich Universe.' 'You often hear people say "I wish I become a superstar and my life gets made".' 'I wondered how it would be if I said if I hug my father, it would be an amazing day, or if I hugged my mother and said how lucky I am.'
As splendid it is to behold, A Suitable Boy cannot match in soul and falls short of being memorable, feels Sukanya Verma.
'Khaitan's film will continue to invite comparisons with Manjule's, but the fact that it is out there for viewers to see is perhaps a greater tribute to the original than is conveyed by the cautious desire to remake it,' says Vikram Johri.
The Supreme Court had last week stayed a Bombay high court order and allowed Maharashtra government to hold the event at the Chowpatty.
The actor had earlier refused to do intimate scenes on screen but decided to go all-out as part of his image makeover.
Mira's films are alive, rocking and so true to the reality I know. They are gifts that I keep revisiting, and I cannot wait for what more she will share with us, notes Aseem Chhabra.
The music of Mr X is not blockbuster material, and only few songs bear repeated listening, writes Joginder Tuteja.
Which movies should you watch in the coming year? We draw up a list.
Bollywood celebs take to Twitter to voice their opinion on the Udta Punjab controversy.
The West Bengal government has tied up with the Indian Institute of Management, Calcutta, to launch a reality show, Egiye Bangla.
'I did not always want to be an actor. The initial plan was to become a filmmaker.' Sri gets candid about his movie career.
A look at the top tweets from your favourite Bollywood celebrities.
Aiyaary is a bloated, prolonged mess of misplaced purpose that digresses from military misdeeds to animal cruelty, feels Sukanya Verma.
'Kalabhavan Mani was truly the star of the masses, which was evident from the huge crowds that came to bid him adieu when he died on March 6 at the age of 45.'
Bollywood's fortunes might not hinge on Pakistani actors and singers, but the forced ban on them sends out a disturbing message.
Madras Cafe is a swift, smart and serious study of an inglorious chapter of history, writes Sukanya Verma.
Bhaag Johnny is a mangled mess of a film, says Nishi Tiwari.
'They are perhaps the only night when the stars, those celestial seraphs, become as vulnerable, as doggedly human, as the rest of us.'